TELEPHONE HARP CONCERT. Sound Waves Brought Two Miles, and Heard in Union Hall.
Not a large but a very appreciative live audience greeted Mr. Frederick Allen Gower on Wednesday evening, in Union Hall, at his Illustrated lecture and concert on the newly invented instrument, the Telephone Harp. Pearl street, Boston, was called, and Mr. Mathews was asked to play upon the telephone harp, which is an instrument consisting of four octaves of thin steel tongues, set in a steel frame, like a mouth harmonica. Under each tongue is a hammer operated like a telegraphic or pianoforte key. When the keys are played upon, the hammers press the tongues upward, bringing them in connection with a metallic point like that of any telegraphic instrument. When these points are touched by the vibrating tongues, the circuit is opened, the musical note is transmitted over the wire, and repeated at the other end by the telephone. A battery passed electricity through what is termed a Geitler tube, resembling the letter U, and containing hydrogen gas ; and as the notes were played upon the telephonic harp in Boston, the sound waves or vibrations of music corresponded exactly with the flashes of light of various colors, which were thus given out. The hall was darkened of course, during this successful experiment, which the audience unanimously applauded as a most marked and triumphant success of scientific discovery and practical application. A few more remarks were made by Mr. Gower, showing the present commercial success of the telephone, no less than 6,000 being now in use in the United States.
Cambridge Chronicle — 26 January 1878
Novel Harmonica Performance from Prof. Goodwall Merck
Prof. G. Goodwall Merck, introduced his musical novelties. He plays the violin, guitar, banjo and harmonica, finely; and also performs the difficult act of playing upon the harmonica, "guitar, drums, cymbals, triangle and bells, at one and the same time, giving a very good imitation of a band of music.
Cambridge Chronicle — 27 February 1875
Wholesale Notion House.
S. W. Wren & Co. (Formerly of Natches, Miss.) Keep on hand the largest and most Complete Stock of NOTIONS In the State. MERCHANTS Can find a Full Line of Notions of all Kinds: Soaps, Perfumeries, Stationery, School Books, Hosiery, Table and Pocket Cutlery, Combs, Brushes, Pipes, Violins, Looking Glasses, Fish Hooks, and Lines, &c. Remember the Children and look at our stock of TOYS. Dolls. Marbles. Rattles. rubber Balls. Harmonicas. Jews harps. Jumping Josies, Tops, Toy Watches, and a thousand other articles.
Dallas Herald — 21 July 1866
A Promise of First-Rate Entertainment.
On Saturday evening, a duet will be performed by "Professor" T. P. Ryder. on the great organ, and " Professor" Wallach on the "Mouth Harmonica." Subsequently, Mr. patrick will perform a solo on the Mouth Discordica. Altogether, this is high art.
The New Orleans crescent. — 6 January 1869
DYER, ROKOHL & BUTLER - AUCTIONEERS AND COMISSION MERCHANTS
Magnificent Furniture OF SAID RESIDENCE, mahogany Chamber Sets; Rich Lace Curtains, Window Shades and Blinds; 3-Ply and Ingrain Carpets; Beds, Bedding, Sheets, Quilts, Pillow Cases, Lounges, Sofas, Whatnots; Dining room and Kitchen Furniture. 1 Extension Dining Table, 1 excellent Cook Stove; Flatware. Cutlery, Glassware Crockery, Etc., Etc. ALSO1 Splendid Pianoforte, full rich and brilliant tone, rosewood case, carved legs and elegant finish — a superior instrument. Also, 1 Music Box, Harmonica attachment; Also, 1 Monkey, classically educated; Also, 1 Talking Parrot!
Daily Alta California — 17 January 1866
Mr. Shattuck Receives Triple Encore for his Harmonica Efforts!
Royal Arch Lodge gave an entertainment and festival, Tuesday evening, in Pythian Hall. A decided novelty and feature of the evening was Mr. B. E. Shattuck on the harmonica. The gentleman's efforts were so highly appreciated that he received three hearty encores.
Cambridge Chronicle — 22 June 1878
I had a reed go flat on one of my harmonicas. I discovered it when I recorded St Anne's Reel the first time. I decided that I would tune it myself. That reed now sounds like one of those papers horns that people blow on at New Year's Eve parties. I ruined it. I would suggest to anybody that don't really know what they are doing to send their tuning jobs to a professional.
The older I get the more I know how little I knew when I knew it all.
What key? Welded on, or riveted? I ask because I may have a Hohner reed. If it is a prized harp and plays well, I'm sure we can save it, if it was an Easttop, chalk it up as a less costly learning experience. Not that there is anything wrong with an Easttop, just less expensive. Or, or, learn to play AROUND that hole! Pete
It's a seydel solist pro that has been fully valved. I have two fully valved, a G and a C. The G is the one with the ruined reed. The reeds are riveted. I'll just send it to Wally Peterman; he'll fix it up and give to a kid in his church youth group. He wants any junk diatonics for that purpose.
The older I get the more I know how little I knew when I knew it all.
You may have created a burr at the edge of the reed. The burr might be hitting the reed plate. You can run a file or a small knife around the edge of the reed to knock the burr off. Or perhaps the reed has pivoted a bit on the rivet. Hold it up to this white forum background and see if the same amount of light is on both sides of the reed. If it is skewed gently move it back to center. Welded reeds won't do that but a riveted one can.
If a reed drifted flat by just a little it can just be metal fatigue and I would tune it up. I have done this before with good results that lasted for years. However, if the reed went very flat and/or this happened very quickly then assume a crack and replace the reed. Also if you tune up a reed and find it is flat again a few days later then assume a crack and replace the reed or reed plate. Although rare, a cracked reed can break off and you can actually inhale it. A trip to the ER is more expensive than a new harp. Plinking might help you find if the reed is cracked. I always plink after tuning anyway to help the reed settle. Most of the tuning I have done has been to make tiny tweaks to new harps or to retune to a different configuration (making a Melody Maker or Paddy Richter out of a standard harp). I can think of only once or twice that I needed to touch up a reed that had drifted flat. I have never had a cracked reed or a broken reed. I think that happens more to blues players who try to wail over an electric guitar. My diatonics are all Lee Oskar. They sell replacement reed plates at a reasonable price. I think some of the other brands can sell new plates also. I would not bother replacing a reed on a diatonic. I have bought a couple pair of reed plates for my 20 diatonics over the past 15 years. Those reed plates could probably have been tuned up but there were multiple notes and the plates were years old so I just went with new. Oskars are tough. For a tremolo I would go to the trouble of replacing a reed, although I have never had to. Tremolo harps cost more and I have time invested in several of them fine tuning the tremolo rates.