TELEPHONE HARP CONCERT. Sound Waves Brought Two Miles, and Heard in Union Hall.
Not a large but a very appreciative live audience greeted Mr. Frederick Allen Gower on Wednesday evening, in Union Hall, at his Illustrated lecture and concert on the newly invented instrument, the Telephone Harp. Pearl street, Boston, was called, and Mr. Mathews was asked to play upon the telephone harp, which is an instrument consisting of four octaves of thin steel tongues, set in a steel frame, like a mouth harmonica. Under each tongue is a hammer operated like a telegraphic or pianoforte key. When the keys are played upon, the hammers press the tongues upward, bringing them in connection with a metallic point like that of any telegraphic instrument. When these points are touched by the vibrating tongues, the circuit is opened, the musical note is transmitted over the wire, and repeated at the other end by the telephone. A battery passed electricity through what is termed a Geitler tube, resembling the letter U, and containing hydrogen gas ; and as the notes were played upon the telephonic harp in Boston, the sound waves or vibrations of music corresponded exactly with the flashes of light of various colors, which were thus given out. The hall was darkened of course, during this successful experiment, which the audience unanimously applauded as a most marked and triumphant success of scientific discovery and practical application. A few more remarks were made by Mr. Gower, showing the present commercial success of the telephone, no less than 6,000 being now in use in the United States.
Cambridge Chronicle — 26 January 1878
Novel Harmonica Performance from Prof. Goodwall Merck
Prof. G. Goodwall Merck, introduced his musical novelties. He plays the violin, guitar, banjo and harmonica, finely; and also performs the difficult act of playing upon the harmonica, "guitar, drums, cymbals, triangle and bells, at one and the same time, giving a very good imitation of a band of music.
Cambridge Chronicle — 27 February 1875
Wholesale Notion House.
S. W. Wren & Co. (Formerly of Natches, Miss.) Keep on hand the largest and most Complete Stock of NOTIONS In the State. MERCHANTS Can find a Full Line of Notions of all Kinds: Soaps, Perfumeries, Stationery, School Books, Hosiery, Table and Pocket Cutlery, Combs, Brushes, Pipes, Violins, Looking Glasses, Fish Hooks, and Lines, &c. Remember the Children and look at our stock of TOYS. Dolls. Marbles. Rattles. rubber Balls. Harmonicas. Jews harps. Jumping Josies, Tops, Toy Watches, and a thousand other articles.
Dallas Herald — 21 July 1866
A Promise of First-Rate Entertainment.
On Saturday evening, a duet will be performed by "Professor" T. P. Ryder. on the great organ, and " Professor" Wallach on the "Mouth Harmonica." Subsequently, Mr. patrick will perform a solo on the Mouth Discordica. Altogether, this is high art.
The New Orleans crescent. — 6 January 1869
DYER, ROKOHL & BUTLER - AUCTIONEERS AND COMISSION MERCHANTS
Magnificent Furniture OF SAID RESIDENCE, mahogany Chamber Sets; Rich Lace Curtains, Window Shades and Blinds; 3-Ply and Ingrain Carpets; Beds, Bedding, Sheets, Quilts, Pillow Cases, Lounges, Sofas, Whatnots; Dining room and Kitchen Furniture. 1 Extension Dining Table, 1 excellent Cook Stove; Flatware. Cutlery, Glassware Crockery, Etc., Etc. ALSO1 Splendid Pianoforte, full rich and brilliant tone, rosewood case, carved legs and elegant finish — a superior instrument. Also, 1 Music Box, Harmonica attachment; Also, 1 Monkey, classically educated; Also, 1 Talking Parrot!
Daily Alta California — 17 January 1866
Mr. Shattuck Receives Triple Encore for his Harmonica Efforts!
Royal Arch Lodge gave an entertainment and festival, Tuesday evening, in Pythian Hall. A decided novelty and feature of the evening was Mr. B. E. Shattuck on the harmonica. The gentleman's efforts were so highly appreciated that he received three hearty encores.
Cambridge Chronicle — 22 June 1878
What are you guys opinions of customized combs? I like the idea of optimizing my harmonicas but would it be better just to buy a better harp? For example I have some seydel orchestras that I would love to make louder. I was contemplating getting an aluminum comb. Are the stock combs of Seydel and Lee Oskar really that leaky?
My personal opinion is that custom combs do little or nothing for most harps. A harp with a swollen, warped, or cracked wood comb is better with a new comb, but if the comb is in good condition I don't see any reason to replace it. One exception might be Brendan Powers combs for chromatic. He makes them with small ramps in the reed chambers and these help according to some. I think custom combs came about because of problems with wood combs. Manufacturers have addressed the issue and modern combs perform well and last a long time. 15 or 20 years ago there was a fad in the harmonica world that had people making gaskets for diatonics using micropore tape. This was to make them more airtight. Nobody does this anymore. The fad came and went. I tried it because of all the claims being made but I found no improvement over the stock harp. Modern harps have good combs and are airtight. I have many Lee Oskar harps and they all bend very well.
I don't really know enough about custom combs to give a learned opinion. I have some harps with custom combs that are wonderful harps. Pete is very knowledgeable on this subject since he customizes harmonicas. I have a couple of his custom harmonicas and they star playing before they hit your lips. Maybe he'll see this post and respond.
The older I get the more I know how little I knew when I knew it all.
To the best of my knowledge no one is offering custom combs for Seydel Orchestra, it wouldn't make it louder anyway. If you want louder, doubling the reed plates would be a good start. If your harmonica is not responsive because it is leaky, it won't be as loud as it normally would be. Check the reed gaps, too wide a gap needs more air to facilitate the reed. This often the culprit for new harmonicas, beginners tend to blow too hard. A rule for default gapping is this: Make the gap the same width as the tip of the reed. Harmonicas because of their nature will only get so loud. Beyond that, more breath force would increase the presence (fuller) but not the volume. Anyone who has played with a loud guitar player (aren't they all?) can attest to the fact that more volume is just not accessible without amplification or a projection device. The idea behind a custom comb is very sound, flat mating surfaces don't allow as much air to escape into adjacent holes. So if your Sydel has a wooden comb it would be possible the flat sand it, and the bottom reed plate to make for a better mating surface.
Thanks all. Honestly as a newbie (just a couple years), I really don’t know much about what is normal and what is not. I see all this stuff out there about gapping and customizing and it’s kind of like French to me. All I know to do is compare one harp to the next. Comparing volume, how much breathe is needed, reed bendability. Things like that. I have several brands and several harps (tremolos, octaves and diatonic). Although I guess until I can compare matching types with matching keys, it would be hard to compare. For example I know my kongheng solist C and Mars paddy richter A and easttop E are my best harps for bending. I can’t compare them to my Lee Oskar A and Hohner golden melody Bb because lower harmonicas take more effort to bend. But I am not a fan of bending notes. I do have a crappy out of tune easttop G and I plan to replace it with another brand that will allow me to compare apples to apples.
Rex is absolutely right. Creating any note be it bent, or otherwise, starts with having a resonant chamber that best facilitates the note. Lower notes will have a larger chamber, higher notes a smaller tighter chamber. Force is never a requirement to bending notes, it is our enemy (force KILLS harmonicas) breath the instrument and use proper technique.