TELEPHONE HARP CONCERT. Sound Waves Brought Two Miles, and Heard in Union Hall.
Not a large but a very appreciative live audience greeted Mr. Frederick Allen Gower on Wednesday evening, in Union Hall, at his Illustrated lecture and concert on the newly invented instrument, the Telephone Harp. Pearl street, Boston, was called, and Mr. Mathews was asked to play upon the telephone harp, which is an instrument consisting of four octaves of thin steel tongues, set in a steel frame, like a mouth harmonica. Under each tongue is a hammer operated like a telegraphic or pianoforte key. When the keys are played upon, the hammers press the tongues upward, bringing them in connection with a metallic point like that of any telegraphic instrument. When these points are touched by the vibrating tongues, the circuit is opened, the musical note is transmitted over the wire, and repeated at the other end by the telephone. A battery passed electricity through what is termed a Geitler tube, resembling the letter U, and containing hydrogen gas ; and as the notes were played upon the telephonic harp in Boston, the sound waves or vibrations of music corresponded exactly with the flashes of light of various colors, which were thus given out. The hall was darkened of course, during this successful experiment, which the audience unanimously applauded as a most marked and triumphant success of scientific discovery and practical application. A few more remarks were made by Mr. Gower, showing the present commercial success of the telephone, no less than 6,000 being now in use in the United States.
Cambridge Chronicle — 26 January 1878
Novel Harmonica Performance from Prof. Goodwall Merck
Prof. G. Goodwall Merck, introduced his musical novelties. He plays the violin, guitar, banjo and harmonica, finely; and also performs the difficult act of playing upon the harmonica, "guitar, drums, cymbals, triangle and bells, at one and the same time, giving a very good imitation of a band of music.
Cambridge Chronicle — 27 February 1875
Wholesale Notion House.
S. W. Wren & Co. (Formerly of Natches, Miss.) Keep on hand the largest and most Complete Stock of NOTIONS In the State. MERCHANTS Can find a Full Line of Notions of all Kinds: Soaps, Perfumeries, Stationery, School Books, Hosiery, Table and Pocket Cutlery, Combs, Brushes, Pipes, Violins, Looking Glasses, Fish Hooks, and Lines, &c. Remember the Children and look at our stock of TOYS. Dolls. Marbles. Rattles. rubber Balls. Harmonicas. Jews harps. Jumping Josies, Tops, Toy Watches, and a thousand other articles.
Dallas Herald — 21 July 1866
A Promise of First-Rate Entertainment.
On Saturday evening, a duet will be performed by "Professor" T. P. Ryder. on the great organ, and " Professor" Wallach on the "Mouth Harmonica." Subsequently, Mr. patrick will perform a solo on the Mouth Discordica. Altogether, this is high art.
The New Orleans crescent. — 6 January 1869
DYER, ROKOHL & BUTLER - AUCTIONEERS AND COMISSION MERCHANTS
Magnificent Furniture OF SAID RESIDENCE, mahogany Chamber Sets; Rich Lace Curtains, Window Shades and Blinds; 3-Ply and Ingrain Carpets; Beds, Bedding, Sheets, Quilts, Pillow Cases, Lounges, Sofas, Whatnots; Dining room and Kitchen Furniture. 1 Extension Dining Table, 1 excellent Cook Stove; Flatware. Cutlery, Glassware Crockery, Etc., Etc. ALSO1 Splendid Pianoforte, full rich and brilliant tone, rosewood case, carved legs and elegant finish — a superior instrument. Also, 1 Music Box, Harmonica attachment; Also, 1 Monkey, classically educated; Also, 1 Talking Parrot!
Daily Alta California — 17 January 1866
Mr. Shattuck Receives Triple Encore for his Harmonica Efforts!
Royal Arch Lodge gave an entertainment and festival, Tuesday evening, in Pythian Hall. A decided novelty and feature of the evening was Mr. B. E. Shattuck on the harmonica. The gentleman's efforts were so highly appreciated that he received three hearty encores.
Cambridge Chronicle — 22 June 1878
The last song I learned by ear was "The Booger Man" by Ray Stevens and that was per my teacher's recommendation that I'd do it on my own. The only reason why I would usually learn with tabs is for two reasons. If you have an instructor doing the tabs and they tell you the subtleties of what's going on in their playing or if you're doing them yourself and making them as detailed as possible with a key legend and everything. I can read sheet music as it was something I learned during choir, but I don't use it as much anymore.
Well I some time ago learnt to read sheetmusic . I can translate it into different keys to avoide too many sharps for the chromatic button to push. My problem is that I can’t read and translate to the harp hole quickly enough. So I write my own form of TAB with marks showing the quick notes, the 1/8 th notes ,draw and blow. I really need to see the printed music to play from my own TABs. That’s the only way i know the rhythm. Other printed TABs require that I know the song. Playing chromatic where there can be a lot of sharps/flats I underline my TaB with a red line. My memory not good enough to know when to push the button. That’s why I often change the key to F or G. My thought is published tabs can help but we should put some time into learning to read music. There is so much more can be done.
If a tab indicates to start on blow 4, how do you know you are blowing hole 4? You can't see it. From blow 4 then the tab indicates draw 8, now do you know you're at draw 8? You have to be able to hear the note. I've often said that if you are tone deaf or have tin ear, you will have a terrible time learning to play a harmonica, but if you can whistle a tune or hum a tune, you'll be able to play a harmonica.
The older I get the more I know how little I knew when I knew it all.
I say it all depends on the system that the tabber is using. I used to use a plus sign for blow and a minus sign for draw, meanwhile my teacher uses a B for blow and D for draw. That another disadvantage of learning through tabs. You have to learn all of these tabbing systems and it can make your head spin. I'll learn by ear occasionally if I know the song well enough that I can play it by just picking it up.
Yes, Keith’s problem is real. Play by ear could be OK for a diatonic harmonica 10 holer. But for chromatic it’s frustrating. If playing a song in Ab where I’d play the notes,then with the button in, then to find 4 notes requiring the button pressed in. Seeing the music or tabs I’d be playing in no time. However, my ear is valuable when iv’e learnt to play a song, if i hit a wrong note I know instantly.
If a tab indicates to start on blow 4, how do you know you are blowing hole 4? You can't see it. From blow 4 then the tab indicates draw 8, now do you know you're at draw 8? You have to be able to hear the note. I've often said that if you are tone deaf or have tin ear, you will have a terrible time learning to play a harmonica, but if you can whistle a tune or hum a tune, you'll be able to play a harmonica.
Yes, Sarge, but one of the things we learn quickly, move out of the learner stage, is to find a hole number without seeing it. I think I learnt because. I was not tone deaf. Putting a finger each side of a hole and blow helped me recognise the sound. Then I think muscle memory took over because it surprises me how I hit the right hole without seeing it.
Yes, Keith’s problem is real. Play by ear could be OK for a diatonic harmonica 10 holer. But for chromatic it’s frustrating. If playing a song in Ab where I’d play the notes,then with the button in, then to find 4 notes requiring the button pressed in. Seeing the music or tabs I’d be playing in no time. However, my ear is valuable when iv’e learnt to play a song, if i hit a wrong note I know instantly.
Ab plays just like G on a chromatic. Just hold the button in for everything but the 7th degree of the scale. Have to let the button out for that. G needs the button pushed for the seventh, Ab needs it let out for the 7th. You can do something similar with C#/Db. Just hold the button in and play like you would in C. After practicing scales on the chromatic, I now find I can play a lot of tunes by ear. And in 10 keys. B and F# are the only keys I don't use on the chromatic.
I prefer to have the official sheetmusic of a song. I read the music and write my own interpretation as tabs that tell the length of the note, i change the key if there are too many sharps or flats, usually convert to key C, G or F. Then I select the harmonica and play following my own instruction of tabs. Then practice until I no longer need to see anything, when the tune is in my head. But I’m hopeless trying to start completely by ear. Gimme the sheet music.